Scream Queens and Final Girls

Sn1 Ep8: In honor of International Women's History Month the Nightmare Crew gushes over our favorite Scream Queens and hashes out what exactly a Scream Queen is and how they are potentially different from Final Girls.

S1 Ep8

In honor of International Women’s History Month the Nightmare Crew gushes over our favorite Scream Queens and hashes out what exactly a Scream Queen is and how they are potentially different from Final Girls.

Show Notes

News and Releases

SXSW Roundup

There were a lot of interesting horror and genre films at this years SXSW film Festival. Here are a few that we had our eyes on.

Hokum
Pretty Lethal
Ready or Not 2
Over Your Dead Body
Bagworm (review)
The Thing Expanded

Queens of Scream

Peter and Rene Quiggly

In this episode, Peter shares a humorous story about meeting one of his favorite Scream Queens, Linnea Quigley (Return of the Living Dead, Night of the Demons), when he was a young lad.

Peter and Linnea Quigley
Additional Scream Queen Content

Here are a few related video essays about Scream Queens. This International Women’s History Month, let’s all appreciate the amazing performances of our lovely queens.

The Unexpected Origins of the First Scream Queen
Top 10 Horror Scream Queens of the Century So Far

Bonus: Project Hail Mary BTS Video

Project Hail Mary dropped in theaters to a staggering box office haul and glowing reviews from both fans and critics. Take a look at these behind the scenes featurette about how the magic was made.

“Science teacher Ryland Grace (Ryan Gosling) wakes up on a spaceship light years from home with no recollection of who he is or how he got there. As his memory returns, he begins to uncover his mission: solve the riddle of the mysterious substance causing the sun to die out. He must call on his scientific knowledge and unorthodox ideas to save everything on Earth from extinction… but an unexpected friendship means he may not have to do it alone. “

Show Transcript

00:00:11.579 –> 00:00:14.740
Welcome back to Nightmare Logic. We’re your asses

00:00:14.740 –> 00:00:17.000
grass and we’re the lawnmower. We’re your hosts,

00:00:17.000 –> 00:00:19.859
Christopher Smith. And Peter Sawyer. And Taffeta

00:00:19.859 –> 00:00:22.739
Darling. Today’s episode, in honor of Women’s

00:00:22.739 –> 00:00:24.980
History Month, is dedicated to the Queens of

00:00:24.980 –> 00:00:32.320
Scream. Alright guys, welcome back. What’s going

00:00:32.320 –> 00:00:36.880
on? How you been? Same as usual, I guess. Writing,

00:00:37.340 –> 00:00:40.799
editing, reading. Right. All the things? Yeah.

00:00:40.859 –> 00:00:43.780
all of the things. I don’t know. I had a pretty

00:00:43.780 –> 00:00:45.979
fantastic week. I’ve had a great week. Yeah.

00:00:46.119 –> 00:00:47.859
Yeah. I mean, I mentioned earlier, you know,

00:00:47.859 –> 00:00:49.299
I love horror, but I also love, you know, like

00:00:49.299 –> 00:00:51.420
the silly stuff. So I went and saw the Christopher

00:00:51.420 –> 00:00:53.280
Guest movie, A Mighty Win last night with John

00:00:53.280 –> 00:00:56.200
Michael Higgins doing the Q &A. And it was because

00:00:56.200 –> 00:00:57.880
of Women’s Month, they’re doing this really lovely

00:00:57.880 –> 00:00:59.840
tribute, but also to Catherine O ‘Hara, you know,

00:00:59.899 –> 00:01:01.780
who passed, he like, you know, we’re still feeling

00:01:01.780 –> 00:01:04.239
that. So it was just kind of a lot of sweet behind

00:01:04.239 –> 00:01:06.099
the scenes stuff about the movie with her and

00:01:06.099 –> 00:01:08.750
John Michael Higgins. And that was lovely. Um,

00:01:08.750 –> 00:01:10.969
I played little video games as I do got some

00:01:10.969 –> 00:01:14.030
stuff read Uh and kicked ass at work. So yeah,

00:01:14.030 –> 00:01:16.969
you know, it’s a good week. Yeah. Yeah my own

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work My inner work and my personal work, right?

00:01:21.209 –> 00:01:24.430
Right making some career moves. Yes Right on.

00:01:24.469 –> 00:01:26.349
Did you see anything interesting this week besides

00:01:26.349 –> 00:01:29.319
the christopher guest? No, not really, you know,

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everything’s just kind of focused although I

00:01:31.099 –> 00:01:35.060
will say that’s not true the new Superman absolute

00:01:35.060 –> 00:01:37.780
Superman that’s out the Brainiac character because

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in the absolute Superman in the absolute world

00:01:39.519 –> 00:01:41.540
everything’s more horrific and more creepy and

00:01:41.540 –> 00:01:44.700
more kind of scary so the debut of Brainiac is

00:01:44.700 –> 00:01:48.540
fucking terrifying like he is like a Reminds

00:01:48.540 –> 00:01:50.099
me of one of the t2s. It’s just kind of like

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the skeletal of it and kind of metal and he’s

00:01:52.099 –> 00:01:55.299
all just it’s very scary and he’s Essentially

00:01:55.299 –> 00:01:58.670
what he does is he’s just like Collecting mass

00:01:58.670 –> 00:02:00.930
people and so it’s like the blob meets like this

00:02:00.930 –> 00:02:02.829
like scary skeleton man. I don’t know It’s I

00:02:02.829 –> 00:02:04.609
can’t really describe it better than that and

00:02:04.609 –> 00:02:06.890
I’m sorry just go look for brainiac and absolute

00:02:06.890 –> 00:02:09.569
Superman 18 But that was really fucking creepy

00:02:09.569 –> 00:02:12.050
as the debut of that character This is a good

00:02:12.050 –> 00:02:13.969
time to jump on to some of these absolute titles

00:02:13.969 –> 00:02:16.289
because they are bringing in these villains who

00:02:16.289 –> 00:02:18.270
are just very horrific like poison ivy looks

00:02:18.270 –> 00:02:21.770
like a put -together like, you know patchwork

00:02:21.770 –> 00:02:25.120
doll Like, you know, so everything is very exaggerated

00:02:25.120 –> 00:02:26.800
and like the horror sense and the horrific sense

00:02:26.800 –> 00:02:29.860
of her. It’s so that’s great. And Peter, do you

00:02:29.860 –> 00:02:33.379
see much? Yeah, I got two movies I can mention.

00:02:33.900 –> 00:02:37.379
I caught Cold Storage. It’s directed by Johnny

00:02:37.379 –> 00:02:41.180
Campbell. He hasn’t done that many movies. He’s

00:02:41.180 –> 00:02:43.219
done a couple of TV shows, but I know him as

00:02:43.219 –> 00:02:46.419
the director of the Netflix Dracula miniseries

00:02:46.419 –> 00:02:48.530
from a couple of years ago. He did the first

00:02:48.530 –> 00:02:50.629
episode, which actually caught my attention.

00:02:50.729 –> 00:02:53.509
I thought it was the best of the bunch. And he

00:02:53.509 –> 00:02:56.849
did a great job here. What’s interesting is David…

00:02:56.849 –> 00:02:59.810
I’m going to butcher his last name. Co -op? Do

00:02:59.810 –> 00:03:02.210
you guys know that name? Not at all. So he’s

00:03:02.210 –> 00:03:05.490
a pretty prolific screenwriter. He adapted Jurassic

00:03:05.490 –> 00:03:09.030
Park as a screenplay. And in the horror space,

00:03:09.229 –> 00:03:12.229
he wrote, Sturve Echos, Death Becomes Her, I

00:03:12.229 –> 00:03:15.449
Come in Peace, among many, many other random

00:03:15.449 –> 00:03:19.060
blockbusters. But this was based on his book,

00:03:19.319 –> 00:03:22.500
and it has Liam Neeson, Sozi, I think that’s

00:03:22.500 –> 00:03:24.560
how you say your name, Sozi Bacon, Joe Carey

00:03:24.560 –> 00:03:27.199
from Stranger Things, and Georgina Campbell.

00:03:28.099 –> 00:03:33.080
And it’s a fun movie. I really miss these because

00:03:33.080 –> 00:03:35.979
I feel like in horror or whatever you get the

00:03:35.979 –> 00:03:39.460
really dark, intense, moody stuff that’s the

00:03:39.460 –> 00:03:42.139
A24 stuff a lot of the time. Or maybe you get

00:03:42.139 –> 00:03:45.159
something like Terrifier, and this is kind of

00:03:45.159 –> 00:03:49.219
a… in the middle of it. And it’s a sci -fi

00:03:49.219 –> 00:03:53.020
horror situation where the threat is a green

00:03:53.020 –> 00:03:56.680
fungus that came from space after NASA sent something

00:03:56.680 –> 00:03:58.680
up into space when it came back. And it’s just

00:03:58.680 –> 00:04:02.180
deadly and spreads really quickly, gets contained

00:04:02.180 –> 00:04:05.819
and put into a storage unit. I think it’s Oklahoma

00:04:05.819 –> 00:04:08.580
or Kansas or somewhere like that. And then there’s

00:04:08.580 –> 00:04:13.580
a breach and it goes from there. And it reminds

00:04:13.580 –> 00:04:16.360
me of Even though if you watch this, you’re like,

00:04:16.399 –> 00:04:17.839
Peter, what are you talking about? But there’s

00:04:17.839 –> 00:04:19.699
something about it besides a plot that’s kind

00:04:19.699 –> 00:04:21.740
of similar to Return of the Living Dead, which

00:04:21.740 –> 00:04:25.860
I liked or or the blob. And it like had that

00:04:25.860 –> 00:04:29.160
kind of tonality where it’s it’s horror and it

00:04:29.160 –> 00:04:32.319
has a threat level, but it’s kind of amusing.

00:04:32.879 –> 00:04:34.899
But it’s not really funny, but it’s like amusing

00:04:34.899 –> 00:04:37.540
enough. So I was I was pretty happy with that

00:04:37.540 –> 00:04:39.139
because I saw the trailer and was like, ah, but

00:04:39.139 –> 00:04:40.560
then I saw it was like, oh, shit, this is this

00:04:40.560 –> 00:04:44.660
is a lot of fun. Nice. So that was one. I think

00:04:44.660 –> 00:04:46.759
we mentioned that a couple of episodes ago about

00:04:46.759 –> 00:04:50.439
coming out. So I and I wanted to see it. It’s

00:04:50.439 –> 00:04:52.899
it’s like it’s fun. It’s not it’s not like super

00:04:52.899 –> 00:04:55.300
heavy, but it’s got some some wild moments and

00:04:55.300 –> 00:04:58.160
it’s generally entertaining. The other movie

00:04:58.160 –> 00:05:00.920
I saw that I really liked, especially since we’re

00:05:00.920 –> 00:05:03.540
talking about like Scream Queens and in Woman’s

00:05:03.540 –> 00:05:07.319
Month is 28 years later, the Bone Temple, as

00:05:07.319 –> 00:05:10.790
that was directed by Nia da Costa in. She knocked

00:05:10.790 –> 00:05:14.290
it out of the park. I liked the 28 years later

00:05:14.290 –> 00:05:17.269
that came before this, but I did not like the

00:05:17.269 –> 00:05:18.970
last scene of that movie, which I thought was

00:05:18.970 –> 00:05:23.670
going to indicate how this would unfold. But

00:05:23.670 –> 00:05:26.490
the opening scene to this just goes extremely

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hard and really got my attention. And it kind

00:05:31.370 –> 00:05:34.310
of has a lot of those heavier moments, but it’s

00:05:34.310 –> 00:05:36.509
balanced out with all the Ralph Fiennes stuff.

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It’s yeah, it’s solid. It has a fun soundtrack

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built into it and Yeah, I got a catch up on that

00:05:44.120 –> 00:05:46.660
series like, you know, I saw the first two I

00:05:46.660 –> 00:05:50.879
think and then when they came out and then It’s

00:05:50.879 –> 00:05:54.680
been a very long time Yeah, and I was I think

00:05:54.680 –> 00:05:56.680
this was shot like back -to -back with the last

00:05:56.680 –> 00:05:59.040
one. Yeah, but this I thought was an improvement

00:05:59.040 –> 00:06:01.779
I think Alex Garland wrote both of these but

00:06:01.779 –> 00:06:03.920
yeah Alex Garland’s great. Yeah, he’s a solid

00:06:03.920 –> 00:06:07.319
writer. Yeah, but this was solid Highly recommend

00:06:07.319 –> 00:06:13.180
nice. Uh, well For me, I finally watched the

00:06:13.180 –> 00:06:16.680
original hellraiser Which I had never seen I

00:06:16.680 –> 00:06:18.220
was embarrassed I mean there’s actually a number

00:06:18.220 –> 00:06:20.019
of like classics like that that I need to catch

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up on and that’s one and uh, I You know immediately

00:06:23.180 –> 00:06:25.319
texted peter and I was like, yeah I saw it then

00:06:25.319 –> 00:06:27.740
we like hashed it out and uh, it’s interesting

00:06:27.740 –> 00:06:29.819
I probably have a different take on it than the

00:06:29.819 –> 00:06:32.699
people who you know came to it back in the 80s

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or 90s just because Films change so much, you

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know, and yeah But I did enjoy it quite a bit

00:06:39.259 –> 00:06:41.339
and like there’s some like bad shit crazy parts

00:06:41.339 –> 00:06:43.879
in it, which I love bad shit crazy So that’s

00:06:43.879 –> 00:06:47.060
cool But you know you throw in a little bit of

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that like 80s kind of unintentional 80s camp

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just due to limitations on technology and things

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like that, you know, I get I don’t know. I did

00:06:56.120 –> 00:07:00.220
enjoy it. I did enjoy it I also rewatched Mothman

00:07:00.220 –> 00:07:02.959
prophecy, which I hadn’t seen since it came out

00:07:02.959 –> 00:07:05.579
and That was actually I held up better than I

00:07:05.579 –> 00:07:07.939
kind of anticipated because I feel like it didn’t

00:07:07.939 –> 00:07:12.019
get the love Like I did it have good reviews

00:07:12.019 –> 00:07:13.500
when it came out cuz I kind of remember people

00:07:13.500 –> 00:07:15.800
being like mixed on it And it not doing as well

00:07:15.800 –> 00:07:18.639
as it it was it felt yeah, it felt kind of like

00:07:18.639 –> 00:07:21.300
it was in a weird place Yeah, yeah, and it’s

00:07:21.300 –> 00:07:24.000
you know, maybe not traditional like horror per

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se I mean, it’s kind of supernatural, but it’s

00:07:26.360 –> 00:07:28.680
like I don’t know. It’s it’s up my alley It’s

00:07:28.680 –> 00:07:31.589
kind of it’s kind of Gotham It’s eerie. Yeah,

00:07:31.949 –> 00:07:33.529
yeah, yeah. Well, there’s that one. And there’s

00:07:33.529 –> 00:07:35.490
also the dragonfly one with Kevin Costner that’s

00:07:35.490 –> 00:07:37.129
kind of like the opposite of it that has like

00:07:37.129 –> 00:07:38.990
a more like it’s still kind of like supernatural

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and like, you know, thrilling, but it has like

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a better ending and stuff. And I think those

00:07:44.009 –> 00:07:45.750
came out around the same time. And I remember

00:07:45.750 –> 00:07:48.089
confusing them back to back. But I like both

00:07:48.089 –> 00:07:49.689
of them. Yeah. With Dragonfly is the name of

00:07:49.689 –> 00:07:51.889
that one? Yeah, with Kevin Costner. Yeah. Yeah.

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It’s more supernatural. It’s not like super scary,

00:07:54.550 –> 00:07:56.949
but it’s like, you know, he’s over. His wife

00:07:56.949 –> 00:07:59.670
was a doctor in like, you know, a small nation,

00:07:59.889 –> 00:08:01.670
like a kind of an island and stuff, and she was

00:08:01.670 –> 00:08:03.350
missing and he has to go find her and all this

00:08:03.350 –> 00:08:05.129
stuff. And it’s just kind of, you know, it’s

00:08:05.129 –> 00:08:07.629
a it unfolds and to be a very sweet, but also

00:08:07.629 –> 00:08:11.250
supernatural thing. And I just with Mothman,

00:08:11.250 –> 00:08:12.629
I think they came out at the same time. And I

00:08:12.629 –> 00:08:14.250
was like, cool, we need more stuff like this.

00:08:14.269 –> 00:08:16.750
And then we didn’t get it. Not true. You know,

00:08:16.750 –> 00:08:19.230
this might be an unpopular opinion, but I kind

00:08:19.230 –> 00:08:22.829
of gravitate more to the like night late 90s,

00:08:22.850 –> 00:08:26.160
early 2000s horror. Films maybe because that’s

00:08:26.160 –> 00:08:27.660
where I started really like kind of getting into

00:08:27.660 –> 00:08:29.720
it more than like the 80s Which I think a lot

00:08:29.720 –> 00:08:32.340
of people hold up to be the kind of heyday of

00:08:32.340 –> 00:08:35.039
like core films I mean it’s because our generation

00:08:35.039 –> 00:08:38.039
grew up in the 80s right and I guess probably

00:08:38.039 –> 00:08:41.320
saw those at a young age Way too young. Yeah,

00:08:41.320 –> 00:08:43.820
so then you get your kind of some of those for

00:08:43.820 –> 00:08:46.500
that reason so like I’m not totally immune, you

00:08:46.500 –> 00:08:50.019
know, like I mean, obviously I really was into

00:08:51.839 –> 00:08:54.320
Uh, poltergeist and the shining and things like

00:08:54.320 –> 00:08:56.559
that when I was a kid. Yes, poltergeist, too

00:08:56.559 –> 00:08:58.919
Just scared the crap out of me more than any

00:08:58.919 –> 00:09:00.460
of the other ones. Yeah, it is. It’s Reverend

00:09:00.460 –> 00:09:05.000
Kane. My goodness. He’s great All right, well

00:09:05.000 –> 00:09:08.559
transitioning into some news right now South

00:09:08.559 –> 00:09:10.559
by Southwest is going on it’ll be over by the

00:09:10.559 –> 00:09:13.720
time you hear this but some revelations from

00:09:13.720 –> 00:09:17.100
it a hokum premiered there which we had talked

00:09:17.100 –> 00:09:19.460
about in our looking forward to 2026 episode

00:09:19.820 –> 00:09:23.580
This is the the directors Damian McCarthy who

00:09:23.580 –> 00:09:32.259
did oddity and caveat and but apparently It was

00:09:32.259 –> 00:09:36.779
well received and It comes out on May 1st. So

00:09:36.779 –> 00:09:40.620
that’s interesting and Pretty lethal premiere

00:09:40.620 –> 00:09:45.029
there, which is more of a thriller But it basically

00:09:45.029 –> 00:09:47.809
follows a group of ballerinas as they try to

00:09:47.809 –> 00:09:49.929
escape from a remote inn after their bus breaks

00:09:49.929 –> 00:09:52.190
down on the way to a dance competition. Oh, fun.

00:09:52.350 –> 00:09:54.250
And they have to kind of be inventive in how

00:09:54.250 –> 00:09:56.029
they defend themselves with their dance moves,

00:09:56.210 –> 00:09:58.850
apparently. Yeah. It doesn’t look as cheesy.

00:09:59.029 –> 00:10:00.870
I saw the trailer. I can’t remember where, but

00:10:00.870 –> 00:10:02.909
I was like, oh, maybe I’d watch this. Yeah, I

00:10:02.909 –> 00:10:04.690
kind of got tickled by the idea to be part of

00:10:04.690 –> 00:10:07.830
that. Yeah. And it stars Uma Thurman, Millicent

00:10:07.830 –> 00:10:11.190
Simmons and Iris Apatow. And actually, Iris Apatow

00:10:11.190 –> 00:10:14.110
is Judd Apatow’s daughter. Worked with her. No,

00:10:14.110 –> 00:10:16.549
I worked with her sister one time anyways, but

00:10:16.549 –> 00:10:20.850
her sister was really cool And that is gonna

00:10:20.850 –> 00:10:23.570
be out in on Amazon on March 25th So you don’t

00:10:23.570 –> 00:10:25.750
have a long time to wait for that one cool, which

00:10:25.750 –> 00:10:30.070
is cool ready or not to also premier there and

00:10:30.070 –> 00:10:33.210
This seems to be getting a lot of like praise

00:10:33.210 –> 00:10:35.909
actually. So I didn’t see the first one. Did

00:10:35.909 –> 00:10:39.710
you guys? Yeah, first one’s fun. Yeah, it’s it’s

00:10:39.710 –> 00:10:43.210
cool. I Samantha, is that, or is it Samara? How

00:10:43.210 –> 00:10:44.730
do you say her name? Samara, yeah. Samara Weaving.

00:10:45.049 –> 00:10:46.970
She’s pretty consistent. Yes, I did see that

00:10:46.970 –> 00:10:48.610
when we were at the whole family in The Rich.

00:10:48.950 –> 00:10:51.409
Yeah, and you know, speaking of, she’s kind of

00:10:51.409 –> 00:10:54.029
a modern screen queen, which she’ll make an appearance

00:10:54.029 –> 00:10:57.549
later in our conversation. Well, also fun, fun

00:10:57.549 –> 00:10:59.950
fact for you. A lot of people don’t know this

00:10:59.950 –> 00:11:02.090
because they probably don’t know the band. Radio

00:11:02.090 –> 00:11:05.690
Silence directed Ready or Not, and I’m assuming

00:11:05.690 –> 00:11:07.980
Ready or Not 2, right? Don’t know what radio

00:11:07.980 –> 00:11:10.639
sounds is that it’s too like a team that does

00:11:10.639 –> 00:11:12.759
these different movies possibly because it’s

00:11:12.759 –> 00:11:15.480
a Matt but bet Nelly open and Tyler Gillette

00:11:15.480 –> 00:11:19.720
so You know what band Matt was in no he was the

00:11:19.720 –> 00:11:24.039
guitarist to link 80. Oh That’s who yeah, okay,

00:11:24.039 –> 00:11:26.080
and for you guys who don’t know who link 80 is

00:11:26.080 –> 00:11:29.779
They were a ska punk band from the 90s from the

00:11:29.779 –> 00:11:31.740
Bay Area I was like obsessed with them when I

00:11:31.740 –> 00:11:34.919
was like 1670 the the singer who sadly passed

00:11:34.919 –> 00:11:39.629
was Daniel Steele’s the writer’s son. Yeah. But

00:11:39.629 –> 00:11:42.850
I saw Linkady a couple of times and interviewed

00:11:42.850 –> 00:11:45.809
Matt or not, Matt. I interviewed. Sorry. I interviewed

00:11:45.809 –> 00:11:49.389
Nick Trayna. Yeah. And one of the songs was this

00:11:49.389 –> 00:11:51.710
called Pretty Girls. And I brought that up. And

00:11:51.710 –> 00:11:55.110
he’s like, Matt wrote some dumb emails. Which

00:11:55.110 –> 00:11:58.210
I thought was funny. I reviewed. So, Matt, if

00:11:58.210 –> 00:12:00.929
you’re listening to this, you got you dead to

00:12:00.929 –> 00:12:04.389
rights. So that comes out. Actually, I’m not

00:12:04.389 –> 00:12:07.710
sure when that comes out, but. It stars Samara

00:12:07.710 –> 00:12:10.049
Weaving, as we said, Katherine Newton and Elijah

00:12:10.049 –> 00:12:13.889
Wood. And after surviving one deadly game, Grayson,

00:12:14.009 –> 00:12:16.649
her sister Faith, must now outrun four rival

00:12:16.649 –> 00:12:18.929
families competing for a powerful throne. Winner

00:12:18.929 –> 00:12:20.970
takes all. I imagine it’s kind of more of the

00:12:20.970 –> 00:12:23.549
same, but bigger budget, bigger budget, more

00:12:23.549 –> 00:12:26.049
cast. But apparently this might be one of those

00:12:26.049 –> 00:12:28.309
ones where the sequel holds up to the original.

00:12:28.529 –> 00:12:32.070
So we’re checking out. All right, and some other

00:12:32.070 –> 00:12:33.789
notable films that premiered I’m not gonna go

00:12:33.789 –> 00:12:36.169
in deep on them But over your dead body, which

00:12:36.169 –> 00:12:38.669
is a thriller and bag worm, which sounds really

00:12:38.669 –> 00:12:40.870
interesting It’s a mind -bending body horror,

00:12:41.049 –> 00:12:43.730
but it sounds kind of disgusting. So like gory

00:12:43.730 –> 00:12:47.929
So yeah, I think Samara weaving is also in over

00:12:47.929 –> 00:12:50.909
your dead body. I could be wrong It’s you go

00:12:50.909 –> 00:12:53.850
girl. I mean, maybe it’s Margot Robbie. I don’t

00:12:53.850 –> 00:13:00.379
it’s it’s a blonde This weekend Now we’re recording

00:13:00.379 –> 00:13:05.320
this undertone premier for a 24 and We’ve talked

00:13:05.320 –> 00:13:06.919
about it a couple times in the past and actually

00:13:06.919 –> 00:13:09.000
I think we are gonna try to do a whole episode

00:13:09.000 –> 00:13:12.860
on undertone and the power of Sound design so

00:13:12.860 –> 00:13:14.399
stay tuned for that, but it’ll be a few weeks

00:13:14.399 –> 00:13:17.220
out go see it in advance So because we might

00:13:17.220 –> 00:13:19.259
have some spoilers and we want you know You’d

00:13:19.259 –> 00:13:21.220
be able to listen without it being ruined if

00:13:21.220 –> 00:13:22.980
we’re gonna try to avoid them But you know the

00:13:22.980 –> 00:13:25.220
point is that see it first because you’ll enjoy

00:13:25.220 –> 00:13:29.830
the conversation more but That has so far been

00:13:29.830 –> 00:13:32.330
a success. It’s open to a nine point three million

00:13:32.330 –> 00:13:35.090
dollars Which you know isn’t like paranormal

00:13:35.090 –> 00:13:37.990
activity level success, but it’s like pretty

00:13:37.990 –> 00:13:40.889
dang good Especially considering it’s a super

00:13:40.889 –> 00:13:42.509
indie film with a budget of five hundred thousand

00:13:42.509 –> 00:13:46.129
dollars. Oh shit So you know that I just learned

00:13:46.129 –> 00:13:48.250
that and I’m makes me even more interested to

00:13:48.250 –> 00:13:50.149
check it out You know they’re billing it as like

00:13:50.149 –> 00:13:55.370
a super scary film I have no idea they’re billing

00:13:55.370 –> 00:13:59.840
it as the scariest Film you’ll ever hear Right,

00:13:59.960 –> 00:14:01.879
right. Right. That’s the here’s doing a lot of

00:14:01.879 –> 00:14:04.379
work there, you know Yeah, but hey, you can get

00:14:04.379 –> 00:14:07.220
a lot of mileage out of it. So I’m here to hear

00:14:07.220 –> 00:14:09.779
it Yeah, and just to remind people undertone

00:14:09.779 –> 00:14:11.980
falls the host on it all things creepy podcast

00:14:11.980 –> 00:14:16.220
kind of like ours so, you know it’s it’s a film

00:14:16.220 –> 00:14:19.720
that hits quite close to home for us and Go check

00:14:19.720 –> 00:14:23.480
it out. Go check it out So they follow is starting

00:14:23.480 –> 00:14:26.779
to film this summer. So I’m pretty stoked to

00:14:26.779 –> 00:14:29.019
see that because I really enjoyed it follows.

00:14:29.500 –> 00:14:33.039
That’s the sequel. Buffy the Vampire Slayer,

00:14:33.220 –> 00:14:35.779
the TV show revival is officially dead in the

00:14:35.779 –> 00:14:38.500
water at Hulu. That’s too bad. Yeah. Were you

00:14:38.500 –> 00:14:40.789
a fan of the original? I wasn’t like a hardcore

00:14:40.789 –> 00:14:42.590
fan, but I did appreciate like, you know what

00:14:42.590 –> 00:14:44.789
they were doing. Uh, it was also just, I think

00:14:44.789 –> 00:14:47.049
I was a little bit past it. I w I was out at

00:14:47.049 –> 00:14:49.309
that point, like, you know, doing my thing experience

00:14:49.309 –> 00:14:53.190
in life and stuff. I was already, you know, but

00:14:53.190 –> 00:14:54.929
I know a lot of people who were, and I become

00:14:54.929 –> 00:14:56.590
like kind of adjacent, you know, fans, cause

00:14:56.590 –> 00:14:58.450
I see people who really love it. And I was really

00:14:58.450 –> 00:15:01.190
excited to see Sarah Michelle Geller come out

00:15:01.190 –> 00:15:02.769
with like the new actress and like introduce

00:15:02.769 –> 00:15:04.269
her. And it just, it just seemed really sweet

00:15:04.269 –> 00:15:05.590
and it seemed like it was going to be a good

00:15:05.590 –> 00:15:08.259
thing for for young ladies and women who were

00:15:08.259 –> 00:15:10.799
fans of the genre. Oh, yeah. Well, and I mean,

00:15:11.440 –> 00:15:13.759
that show is so popular and the fans are just

00:15:13.759 –> 00:15:17.080
dying for more. Mm hmm. So, yeah, it is kind

00:15:17.080 –> 00:15:22.240
of a shame. I wonder how much of that is like.

00:15:23.419 –> 00:15:25.240
I wonder why I got canceled, I guess, you know.

00:15:25.320 –> 00:15:27.519
Yeah, it’s kind of like when tremors got canceled

00:15:27.519 –> 00:15:30.059
and they shot a pilot with Kevin Bacon, like

00:15:30.059 –> 00:15:31.580
for the series. And I was like, all right, here

00:15:31.580 –> 00:15:34.009
we go. And then. It didn’t even happen. It’s

00:15:34.009 –> 00:15:35.509
a shame when that happens. Yeah, totally. They

00:15:35.509 –> 00:15:37.389
should at least release the pilots, I think,

00:15:37.570 –> 00:15:39.350
just for curiosity’s sake. And let the public

00:15:39.350 –> 00:15:41.509
see, let them decide. Yeah. Then you’re reading

00:15:41.509 –> 00:15:44.970
the room. Yeah. I like the movie Buffy the Vampire

00:15:44.970 –> 00:15:46.629
Slayer. Exactly. I was going to say that. The

00:15:46.629 –> 00:15:48.769
first time I ever heard Punch It In was that

00:15:48.769 –> 00:15:52.070
movie. I never got into the show, Buffy, but

00:15:52.070 –> 00:15:53.470
I have a funny story. But first I want to say

00:15:53.470 –> 00:15:56.850
I thought the theme song was amazing. Yeah. For

00:15:56.850 –> 00:15:58.809
it, like really cool theme song. And then I heard

00:15:58.809 –> 00:16:01.730
Nerf Herder and was like, not. As into them,

00:16:01.730 –> 00:16:07.809
but that song rules but uh, this is 2013 and

00:16:07.809 –> 00:16:10.070
I like bleached my hair and grew a mullet and

00:16:10.070 –> 00:16:12.409
did the whole david loss boys thing for halloween

00:16:12.409 –> 00:16:16.210
And I i’m very proud of that probably I saw you

00:16:16.210 –> 00:16:18.250
I came out here for a film festival. I wasn’t

00:16:18.250 –> 00:16:20.549
living here yet And I remember that haircut and

00:16:20.549 –> 00:16:23.149
like dude you committed you started at like nine

00:16:23.149 –> 00:16:26.710
months in advance Yeah, I took it very seriously

00:16:27.239 –> 00:16:29.559
And so when people saw it, they usually are like,

00:16:29.620 –> 00:16:31.879
holy shit, you know, I got a lot of praise for

00:16:31.879 –> 00:16:34.519
it. And then I go to this bar, the Bigfoot Lodge

00:16:34.519 –> 00:16:36.960
on Halloween. And this guy looks at me and he’s

00:16:36.960 –> 00:16:38.940
like, oh, hell yeah, you’re Spike. And I was

00:16:38.940 –> 00:16:41.500
like, that spikes from Buffy. And I was like,

00:16:41.679 –> 00:16:45.279
dude, that’s actually pretty great. Even if he

00:16:45.279 –> 00:16:46.879
knew who you’re supposed to be, that’d be really

00:16:46.879 –> 00:16:49.000
good. No, I don’t think he did. I was like, have

00:16:49.000 –> 00:16:51.019
you seen Lost Boys? Like, what? Maybe he’s drunk.

00:16:51.259 –> 00:16:53.259
Well, I mean, like. Buffy’s from the 90s, Lost

00:16:53.259 –> 00:16:55.460
Boys from the 80s. I’m sure the buff or the spike

00:16:55.460 –> 00:16:58.100
look was based on the Kiefer look. Right, right.

00:16:58.340 –> 00:17:00.539
But I mean, come on, what a lineup. I mean, yeah,

00:17:00.600 –> 00:17:02.879
Luke Perry in there. Was it Jason Priestley in

00:17:02.879 –> 00:17:05.839
that? No, it was, yes, Paul Rubens with like

00:17:05.839 –> 00:17:08.160
one of the best dying scenes ever, like the scene

00:17:08.160 –> 00:17:12.200
at the end where he’s got the stick. And he just

00:17:12.200 –> 00:17:14.180
keeps coming back like young me was just like,

00:17:14.400 –> 00:17:16.640
this is the that’s my stick. That’s so funny.

00:17:16.819 –> 00:17:19.039
Yeah, it was really good. Donald Sutherland as

00:17:19.039 –> 00:17:22.119
well. Yeah, yeah. I think the last thing I wanted

00:17:22.119 –> 00:17:24.579
to mention is there’s this documentary coming

00:17:24.579 –> 00:17:27.279
out called The Thing Expanded. Yes. Which I’m

00:17:27.279 –> 00:17:28.740
mentioning also for Peter’s sake if he hasn’t

00:17:28.740 –> 00:17:32.200
heard of it yet. Oh, I know. It looks great.

00:17:32.740 –> 00:17:36.279
Yeah. But they just released a clip from it.

00:17:36.380 –> 00:17:37.920
And we’ll put that on our show notes if you want

00:17:37.920 –> 00:17:42.680
to go check it out. All right. Now let’s move

00:17:42.680 –> 00:17:45.519
into the main segment today, which we’re talking

00:17:45.519 –> 00:17:50.609
about Screen Queens. Screen. Queens not scream

00:17:50.609 –> 00:17:53.450
Queens. I I’m gonna it’s a tongue twister I’m

00:17:53.450 –> 00:17:55.750
gonna like I say like I scream you scream we

00:17:55.750 –> 00:18:06.029
all scream for scream Queens Peters gonna take

00:18:06.029 –> 00:18:10.450
us through what a scream Queen is and We’re gonna

00:18:10.450 –> 00:18:15.950
get into this so what you got okay, so I I think

00:18:15.950 –> 00:18:19.190
anyone listening probably has a knows what a

00:18:19.190 –> 00:18:22.329
scream clean is but It’s generally incorrect

00:18:22.329 –> 00:18:24.349
me if I’m wrong because I think you guys kind

00:18:24.349 –> 00:18:26.430
of research this a little bit, too basically,

00:18:26.430 –> 00:18:30.190
it’s an actress often in a horror movie who screams

00:18:30.190 –> 00:18:34.009
and I mean that is most basic. Yeah, that’s I

00:18:34.009 –> 00:18:36.990
mean true that that’s kind of what I’ve always

00:18:36.990 –> 00:18:40.210
took them as and usually those those actor actresses

00:18:40.210 –> 00:18:42.309
or find themselves in other other horror movies

00:18:42.309 –> 00:18:45.430
though like you could look at drew Barrymore

00:18:45.430 –> 00:18:49.759
who her performance in Scream at the opening

00:18:49.759 –> 00:18:51.819
made her a scream queen even though she hasn’t

00:18:51.819 –> 00:18:54.500
really like followed through in many movies like

00:18:54.500 –> 00:18:58.119
that since But yeah, you know I look this up

00:18:58.119 –> 00:19:02.099
on chat GPT as one does when they’re cramming

00:19:02.099 –> 00:19:04.779
and and then I did some googling around and reading

00:19:04.779 –> 00:19:07.640
some articles and things like that, but um it

00:19:07.640 –> 00:19:11.740
kind of seems like Like you said scream Queens

00:19:11.740 –> 00:19:15.400
scream Queens Second time I’ve done it generally.

00:19:15.400 –> 00:19:17.259
Yeah, it’s like there are final girls and there

00:19:17.259 –> 00:19:19.400
are scream Queens and scream Queens encompass

00:19:19.400 –> 00:19:21.279
final girls in a lot of ways but it’s like really

00:19:21.279 –> 00:19:23.460
just like Actresses that have appeared in more

00:19:23.460 –> 00:19:26.700
than one horror films and they could be in several

00:19:26.700 –> 00:19:30.140
different roles but then when I Came at it from

00:19:30.140 –> 00:19:31.960
a different way in that thought. This is really

00:19:31.960 –> 00:19:34.400
interesting It said like the the main difference

00:19:34.400 –> 00:19:37.160
is that a scream Queen tends to be the first

00:19:37.160 –> 00:19:39.839
one that dies and it’s more like sexually promiscuous

00:19:39.839 –> 00:19:43.450
and more bold and and then usually has like a

00:19:43.450 –> 00:19:45.470
memorable death where a final girl is level one

00:19:45.470 –> 00:19:52.190
who’s like more, you know, more coy or pure and,

00:19:52.230 –> 00:19:54.529
you know, usually outsmarts the bad guy. So I

00:19:54.529 –> 00:19:55.549
thought that was kind of an interesting way to

00:19:55.549 –> 00:19:57.710
look at it, too. It’s like these two different

00:19:57.710 –> 00:20:00.809
art types of females in a horror film. And sometimes

00:20:00.809 –> 00:20:02.869
they’re the same. And sometimes they’re the same.

00:20:03.150 –> 00:20:04.829
We got Neve Campbell in just our original Scream

00:20:04.829 –> 00:20:07.049
series. That’s a really good point. But I feel

00:20:07.049 –> 00:20:10.009
like all the lead actresses in the original Scream

00:20:10.009 –> 00:20:12.599
you could say are… Scream Queens. Totally.

00:20:12.720 –> 00:20:15.480
I mean, I think it probably applies to. Most

00:20:15.480 –> 00:20:18.660
women in horror movies, but I think a key part

00:20:18.660 –> 00:20:20.799
is that they become a queen when they do more

00:20:20.799 –> 00:20:23.339
than one. Like, because, you know what I mean?

00:20:23.640 –> 00:20:27.799
Well, I mean, it’s it depends. Oh, I’ll expand

00:20:27.799 –> 00:20:29.579
on that. No, that’s fine. I mean, let’s hash

00:20:29.579 –> 00:20:31.960
it out as debated. I’m not sure there’s a real

00:20:31.960 –> 00:20:35.119
answer here, is there? I mean, all right. Well,

00:20:35.119 –> 00:20:37.500
let me ask you guys this. What? What comes to

00:20:37.500 –> 00:20:39.779
mind when you think of a screen queen? Which

00:20:39.779 –> 00:20:43.019
actress in which role? Fei Rui, King Kong. OK,

00:20:43.220 –> 00:20:45.079
that’s like the original. That’s considered the

00:20:45.079 –> 00:20:48.000
OG. Yeah. What about you? That’s yeah. Oh, man.

00:20:48.140 –> 00:20:52.359
I mean, I always my mind goes to like the kind

00:20:52.359 –> 00:20:57.519
of the 80s, like Jamie Lee Curtis or Linda Blair.

00:20:58.019 –> 00:20:59.980
Like, I mean, 70s, I guess. But you know what

00:20:59.980 –> 00:21:02.940
I mean? Like those kind of. Because I don’t know

00:21:02.940 –> 00:21:04.339
why. Maybe I’m wrong in this. And I said this

00:21:04.339 –> 00:21:07.079
earlier, but in my mind, kind of the like peak

00:21:07.079 –> 00:21:09.380
of horror, like when it really came to its own,

00:21:09.480 –> 00:21:11.720
was like late 70s through the 80s. So I just

00:21:11.720 –> 00:21:15.880
think of the classic women from that era. In

00:21:15.880 –> 00:21:19.920
my mind, I always go to Janet Lee as Marion Crane

00:21:19.920 –> 00:21:23.160
in Psycho. But the funny thing about that, because

00:21:23.160 –> 00:21:25.940
I rewatched that clip, is I’m like, I couldn’t

00:21:25.940 –> 00:21:27.420
tell you what her scream sounds like. I hear

00:21:27.420 –> 00:21:30.400
the reek, reek, reek. I don’t think she was.

00:21:30.539 –> 00:21:33.509
She’s screaming. Yeah, she is. So it’s it’s kind

00:21:33.509 –> 00:21:36.150
of interesting. But what’s really funny and interesting,

00:21:36.150 –> 00:21:39.549
you brought up Jamie Lee Curtis. So Jamie Lee

00:21:39.549 –> 00:21:43.430
Curtis, I would say, is a scream princess because

00:21:43.430 –> 00:21:47.490
she is Janet Lee’s daughter in real life. Scream,

00:21:47.490 –> 00:21:51.069
scream queen dynasty. It is a dynasty. But obviously

00:21:51.069 –> 00:21:53.819
a scream queen. I love it. Yeah, so I thought

00:21:53.819 –> 00:21:55.720
that was kind of fun. I didn’t actually know

00:21:55.720 –> 00:21:56.880
that. Did you know that? Yeah, yeah, because

00:21:56.880 –> 00:21:58.819
Tony Curtis is her dad. So that’s why she has

00:21:58.819 –> 00:22:00.660
Jamie Lee Curtis. She’s got Lee for the mom,

00:22:00.740 –> 00:22:02.700
Curtis for the dad. This is why I do this with

00:22:02.700 –> 00:22:05.099
you guys, because I learned so much. I learned

00:22:05.099 –> 00:22:09.039
so much. But OK, so then I was thinking about

00:22:09.039 –> 00:22:11.039
it a little more. I’m like, is there a specific

00:22:11.039 –> 00:22:13.839
scene where you’re really thinking about the

00:22:13.839 –> 00:22:17.700
scream that an actress does? Is there one that

00:22:17.700 –> 00:22:20.759
you’re like, that stayed with me? Do you guys

00:22:20.759 –> 00:22:24.619
have anything like that? What is it a Bride of

00:22:24.619 –> 00:22:28.140
Frankenstein her scream does she have one? Elsa

00:22:28.140 –> 00:22:29.900
I can’t think of her name her last name right

00:22:29.900 –> 00:22:34.500
now. Yes. It’s more shriek It was more of a I

00:22:34.500 –> 00:22:36.119
guess so yeah, but that comes to mind though

00:22:36.119 –> 00:22:38.279
And I and I guess for me like whenever I’m like

00:22:38.279 –> 00:22:39.700
and you’re right because now I’m not actually

00:22:39.700 –> 00:22:41.839
listening to the screams It’s more other faces,

00:22:42.039 –> 00:22:43.440
you know, and I think that’s what draws me and

00:22:43.440 –> 00:22:47.109
I think that becomes like the like The main thing

00:22:47.109 –> 00:22:49.049
for me because like I can’t actually hear the

00:22:49.049 –> 00:22:50.670
Bride of Frankenstein But I can like see her

00:22:50.670 –> 00:22:52.490
like face where she’s like trying to like scream.

00:22:52.490 –> 00:22:55.650
I guess well, here’s something interesting So

00:22:55.650 –> 00:22:57.549
Chris you brought up like the 80s being thinking

00:22:57.549 –> 00:23:00.430
to scream Queen. So we need to quickly return

00:23:00.430 –> 00:23:04.029
to living dead and night of the demons gets that

00:23:04.029 –> 00:23:08.569
but Me growing up on punk rock, right? I listened

00:23:08.569 –> 00:23:12.009
to this band the Quincy punks and They have they

00:23:12.009 –> 00:23:15.269
have this song called Tina about Tina from Return

00:23:15.269 –> 00:23:16.549
of the Living Dead, it’s like, if you really

00:23:16.549 –> 00:23:18.349
love me, you’ll let me eat my brains. Let me

00:23:18.349 –> 00:23:20.509
eat your brains. And so I’ve listened to that

00:23:20.509 –> 00:23:22.769
song millions of times, but it has a sample from

00:23:22.769 –> 00:23:26.089
the movie. And it’s it’s Tom Matthews character,

00:23:26.349 –> 00:23:29.349
Freddy, telling Tina he wants to eat her brains.

00:23:29.349 –> 00:23:32.490
And when she says, like, get away the way her

00:23:32.490 –> 00:23:34.970
voice just shrieks, that’s like the one that

00:23:34.970 –> 00:23:36.509
I had to think about this. I’m like, that’s the

00:23:36.509 –> 00:23:39.619
scream I know more than any other. Other all

00:23:39.619 –> 00:23:41.359
because we listen to that album on repeat, you

00:23:41.359 –> 00:23:43.599
know, right, right So I thought that that was

00:23:43.599 –> 00:23:47.140
funny because she’s that that actress is Beverly

00:23:47.140 –> 00:23:50.559
Randolph So I know her her screen because of

00:23:50.559 –> 00:23:52.680
that sample actually, why don’t we take a minute

00:23:52.680 –> 00:24:06.059
to listen to that right now? Because I can smell

00:24:06.059 –> 00:24:16.920
your brain You made me break my hand completely

00:24:16.920 –> 00:24:32.220
off It’s funny, but if I had to think of like

00:24:32.220 –> 00:24:34.539
what Because I really had to put thought into

00:24:34.539 –> 00:24:36.140
this because I’m like seeing so many of these

00:24:36.140 –> 00:24:39.579
you’re like which What screams really jump out

00:24:39.579 –> 00:24:42.019
at you? What? You know like there’s a there’s

00:24:42.019 –> 00:24:47.460
a lot and so the one scene With with some really

00:24:47.460 –> 00:24:50.220
intense screaming. It’s also like a wild performance

00:24:50.220 –> 00:24:56.099
is from Isabel Adjani who’s in the movie possession

00:24:56.099 –> 00:24:58.640
In the subway scene. It’s like a two -minute

00:24:58.640 –> 00:25:01.619
scene of her breaking down Going all in from

00:25:01.619 –> 00:25:03.440
fits a laughter’s and they turn to screen. She’s

00:25:03.440 –> 00:25:06.039
like smashing a grocery bag and just Breaking

00:25:06.039 –> 00:25:08.900
down, but it’s like a really powerful moment.

00:25:09.000 –> 00:25:13.059
I was like that is earned that title I would

00:25:13.059 –> 00:25:17.640
believe yeah, you know, I think maybe What you’re

00:25:17.640 –> 00:25:20.500
implying? Probably intention unintentionally

00:25:20.500 –> 00:25:24.259
in this part of the discussion is like that You

00:25:24.259 –> 00:25:25.960
know screaming is actually like a pretty hard

00:25:25.960 –> 00:25:29.809
thing to do. Yes, like convincingly and I We

00:25:29.809 –> 00:25:31.390
learned this firsthand working with an actor

00:25:31.390 –> 00:25:33.750
who like just like that wasn’t his thing and

00:25:33.750 –> 00:25:35.349
we were trying to get a scream out of him and

00:25:35.349 –> 00:25:38.250
we had to like go back and do pickups and try

00:25:38.250 –> 00:25:39.970
to get a scream. I mean, it never really even

00:25:39.970 –> 00:25:41.990
got there, to be perfectly honest with you. But

00:25:41.990 –> 00:25:45.609
so if you’re really good at screaming and it

00:25:45.609 –> 00:25:48.410
can be like iconic and like, you know, and it’s

00:25:48.410 –> 00:25:51.609
a talent. Yeah, I mean, I actually was looking

00:25:51.609 –> 00:25:53.109
that up yesterday and I was like, how many of

00:25:53.109 –> 00:25:55.490
these ladies, it’s their voice and a lot of them

00:25:55.490 –> 00:25:58.750
it is. I couldn’t find out. who they, you know,

00:25:58.990 –> 00:26:02.170
used not a Wilhelm scream, but like a scream

00:26:02.170 –> 00:26:05.529
over there. Well, I used to… Peter and I both

00:26:05.529 –> 00:26:08.210
used to scream in punk rock bands and me in hardcore

00:26:08.210 –> 00:26:10.009
bands and stuff. I guess, I don’t know if you

00:26:10.009 –> 00:26:12.250
would call the scare hardcore or not, but…

00:26:12.250 –> 00:26:13.890
And it’s a skill. Like, you got to like practice

00:26:13.890 –> 00:26:17.910
it. And, you know, we tended to use, I’ll say

00:26:17.910 –> 00:26:20.349
we in the like royal sense of like hardcore bands.

00:26:20.849 –> 00:26:23.130
You know, you kind of use the mic to your advantage

00:26:23.130 –> 00:26:24.569
and kind of get some distortion out of that.

00:26:24.750 –> 00:26:28.779
But like… You know you when you really are

00:26:28.779 –> 00:26:32.339
screaming it like hurts. You know if you’re Full

00:26:32.339 –> 00:26:35.140
-throated like terror scream. It could be painful.

00:26:35.319 –> 00:26:39.799
Yeah What’s funny is I know someone who directs

00:26:39.799 –> 00:26:42.779
movies and they called me up because they couldn’t

00:26:42.779 –> 00:26:45.359
get the actor couldn’t actress Maybe couldn’t

00:26:45.359 –> 00:26:47.900
scream in their movie. So he was like Peter Do

00:26:47.900 –> 00:26:50.920
you know any singers who could who could do this?

00:26:50.920 –> 00:26:56.019
And I recommended one That he I guess he didn’t

00:26:56.019 –> 00:26:58.240
go with whatever he found a solution to it But

00:26:58.240 –> 00:27:00.440
it’s just kind of funny because he’s like a scream

00:27:00.440 –> 00:27:04.700
double. Yeah That’s funny. You got to call it

00:27:04.700 –> 00:27:08.200
a scream queen for that then Yeah, or a singer

00:27:08.200 –> 00:27:12.059
in a hardcore band. Yeah, so what are some like

00:27:12.059 –> 00:27:14.660
when in that case like okay We kind of mentioned

00:27:14.660 –> 00:27:18.119
who we each individually thought were like the

00:27:18.119 –> 00:27:21.220
scream queen but like do you got like a list

00:27:21.220 –> 00:27:24.039
of some really well -known ones for people who

00:27:24.170 –> 00:27:27.029
Might want to know who we’re talking about Yeah,

00:27:27.029 –> 00:27:30.450
I mean you have the the modern -day ones Mia

00:27:30.450 –> 00:27:33.569
goth, right? There’s even a clip of her online

00:27:33.569 –> 00:27:36.029
Like interview being interviewed where she’s

00:27:36.029 –> 00:27:38.329
like doing different screams and she’s like this

00:27:38.329 –> 00:27:40.630
one’s better, right? Yeah, she’s great She’s

00:27:40.630 –> 00:27:42.890
I actually really like her as an actress Jenna

00:27:42.890 –> 00:27:45.210
Ortega would be another which is interesting

00:27:45.210 –> 00:27:47.369
I actually didn’t realize that about Jenna Ortega

00:27:47.369 –> 00:27:49.150
because I’ve like kind of skipped a lot of the

00:27:49.150 –> 00:27:51.349
horror films that she was in but nowhere Primarily

00:27:51.349 –> 00:27:54.160
from her like massive Popularity now, you know,

00:27:54.299 –> 00:27:56.119
yeah, but I didn’t really she came from that.

00:27:56.119 –> 00:28:03.000
Yeah, she’s she’s an ex she’s in Scream six five

00:28:03.000 –> 00:28:05.000
five. I think she’s in both. Yeah. She has both

00:28:05.000 –> 00:28:08.440
her and Melissa Berra And she’s in other things

00:28:08.440 –> 00:28:10.539
that even before that I think she was in some

00:28:10.539 –> 00:28:13.059
smaller ones That would not surprise only cuz

00:28:13.059 –> 00:28:18.380
I thought of this article. I just read Feel each

00:28:18.380 –> 00:28:21.480
decade probably has their their actresses who

00:28:21.480 –> 00:28:25.700
shine. I got some other modern ones here like

00:28:25.700 –> 00:28:28.759
Kiki Palmer who’s actually really cool? She was

00:28:28.759 –> 00:28:31.059
in nope, but it’s been in other things before

00:28:31.059 –> 00:28:33.819
that and I think she’s in a film. That’s No,

00:28:33.819 –> 00:28:37.579
this is bad. I should know that Naomi Watts Samara

00:28:37.579 –> 00:28:42.319
weaving who we talked about earlier Make a Monroe.

00:28:42.799 –> 00:28:47.299
Yes from the follows. Yep, and I wonder if She’ll

00:28:47.299 –> 00:28:48.980
be in they follow me probably not it. They’re

00:28:48.980 –> 00:28:51.799
probably like go a different direction And then

00:28:51.799 –> 00:28:55.180
Melissa Barrera and Anna Taylor Joy. Yeah, those

00:28:55.180 –> 00:28:57.460
are what about more like classic ones you got

00:28:57.460 –> 00:29:00.559
I mean what’s classic now a friend of mine was

00:29:00.559 –> 00:29:04.119
I’m going with anything before like 2009 okay,

00:29:04.599 –> 00:29:07.440
a friend of mine was like I’m coming to California

00:29:07.440 –> 00:29:09.539
to buy a classic car So I thought he was like

00:29:09.539 –> 00:29:12.779
thinking of a plum plum with fury. He’s like

00:29:12.779 –> 00:29:15.319
I know a 1990 suburban and I was like That’s

00:29:15.319 –> 00:29:18.440
a classic car. Yeah, it is. It’s the way five

00:29:18.440 –> 00:29:21.519
years now at this point. It’s like classic rock

00:29:21.519 –> 00:29:24.480
is no longer the Rolling Stones. It’s Nirvana

00:29:24.480 –> 00:29:26.720
and the Red Hot Chili Peppers. Right. It makes

00:29:26.720 –> 00:29:30.319
you feel old. Well, I got another list of classic

00:29:30.319 –> 00:29:32.000
ones I could read real quick if you. Yeah, go

00:29:32.000 –> 00:29:34.319
for it. It’s worthwhile. OK. Well, we mentioned

00:29:34.319 –> 00:29:37.099
a few of these already, but Jamie Lee Curtis,

00:29:37.400 –> 00:29:40.880
Barbara Crampton, Sigourney Weaver. Linda Blair

00:29:40.880 –> 00:29:43.579
Sarah Michelle Geller, which I mean she’s like

00:29:43.579 –> 00:29:49.099
90s, but I’ll put her in the classic Adrian Barbo

00:29:49.099 –> 00:29:55.099
Lynn Shay D Wallace Heather legging camp Yeah,

00:29:55.099 –> 00:30:00.519
I guess yeah, Jennifer love you it’s definitely

00:30:00.519 –> 00:30:03.140
like I guess like late 90s early 2000s Yeah,

00:30:03.140 –> 00:30:05.039
I know what you did last summer. I bet like what

00:30:05.039 –> 00:30:07.099
else which did she do beside that? I guess that’s

00:30:07.099 –> 00:30:08.480
it. But she’s yes. I mean, that’s a pretty big

00:30:08.480 –> 00:30:10.769
legacy though, right? I just like that. I mean,

00:30:10.869 –> 00:30:13.630
she, they’re still making those. Yeah. Then she

00:30:13.630 –> 00:30:16.869
came back, right? She came back for that. I don’t

00:30:16.869 –> 00:30:18.049
know if she was like the star, but I think she

00:30:18.049 –> 00:30:20.349
had a role. Like a role in it. Yeah. She’s got

00:30:20.349 –> 00:30:22.230
a lot of scenes where it’s just herself yelling

00:30:22.230 –> 00:30:24.630
for people to come after her. She’s, she’s got

00:30:24.630 –> 00:30:27.890
some, she’s got some lungs. That’s right. Would

00:30:27.890 –> 00:30:30.309
you ever be a scream queen? I’ve got a pretty

00:30:30.309 –> 00:30:32.309
good scream. I’ve got a pretty good cackle. So

00:30:32.309 –> 00:30:35.829
probably. Yeah. What about you, Peter? Would

00:30:35.829 –> 00:30:38.920
you be a scream king? Jesus, I hate that term.

00:30:39.279 –> 00:30:41.940
It’s just it’s like, why is that? Of course,

00:30:41.940 –> 00:30:44.420
it has an identity for for a guy who screams

00:30:44.420 –> 00:30:46.619
in a movie. I mean, the only one I can think

00:30:46.619 –> 00:30:49.400
of is Bruce Campbell. But no, like I was thinking

00:30:49.400 –> 00:30:52.480
of screams and I’m going through them and Pet

00:30:52.480 –> 00:30:56.259
Sematary, the the guy who plays the doctor. I

00:30:56.259 –> 00:30:58.599
don’t remember the actor’s name. He has a couple

00:30:58.599 –> 00:31:01.859
great screams when Gage gets hit his kid by the

00:31:01.859 –> 00:31:04.259
truck. I think it’s in the very ending and less

00:31:04.259 –> 00:31:06.299
about the scream and more about like who who

00:31:06.299 –> 00:31:10.029
are like Men that have been repeatedly in horror

00:31:10.029 –> 00:31:13.230
films. I mean, there’s there’s a lot. It’s but

00:31:13.230 –> 00:31:15.210
they pop up differently because there’s like

00:31:15.210 –> 00:31:17.910
character actors who do it. Right. But I feel

00:31:17.910 –> 00:31:20.910
like it’s like a uniquely woman thing. Like,

00:31:20.950 –> 00:31:23.190
like because, you know, the victims in horror

00:31:23.190 –> 00:31:26.809
films tend to be women. So like, you know, like.

00:31:27.049 –> 00:31:29.490
Maybe Nick Cage. Like, I feel like that guy can

00:31:29.490 –> 00:31:32.609
scream like the bees and like his Bookerman remake.

00:31:33.190 –> 00:31:36.289
Jesus. He’s his own can of worms. He’s just a

00:31:36.289 –> 00:31:38.529
screamer in general. And I know it’s not like

00:31:38.529 –> 00:31:41.109
necessarily like a scream king. I guess it’s

00:31:41.109 –> 00:31:42.710
just more of an instance. But I do like David

00:31:42.710 –> 00:31:44.750
Naughton, like when he turns into his werewolf,

00:31:44.769 –> 00:31:47.150
an American werewolf in London, that’s some like,

00:31:47.150 –> 00:31:49.930
you know, deep bowel, like screaming in pain.

00:31:50.150 –> 00:31:51.930
That’s really cool. Yeah. Yeah. I mean, I think

00:31:51.930 –> 00:31:55.029
what’s interesting, I guess, is that it’s And

00:31:55.029 –> 00:31:57.890
since we’re recording this last this will air

00:31:57.890 –> 00:32:00.230
the last weekend of International Women’s Month

00:32:00.230 –> 00:32:04.109
is that it is Interesting that this is like kind

00:32:04.109 –> 00:32:07.329
of an aspect an area of film where women kind

00:32:07.329 –> 00:32:11.029
of rule, you know in a way it’s like For good

00:32:11.029 –> 00:32:13.809
or for bad. I’m not sure but but like it’s you

00:32:13.809 –> 00:32:16.829
know, it’s like it’s a lot harder to name scream

00:32:16.829 –> 00:32:20.650
Kings and And the question is if they even really

00:32:20.650 –> 00:32:24.180
are a thing. Whereas, you know There are lots

00:32:24.180 –> 00:32:26.000
of women who’ve made careers in horror films

00:32:26.000 –> 00:32:28.200
and like, you know, done really interesting stuff

00:32:28.200 –> 00:32:31.059
and then we remember them, you know? Well, that

00:32:31.059 –> 00:32:33.000
gave me thinking. I’m like, I’m wondering what

00:32:33.000 –> 00:32:36.000
horror movies do not have screams in them. You

00:32:36.000 –> 00:32:38.700
know, like that just feels like a staple in a

00:32:38.700 –> 00:32:42.000
horror movie. Well, yeah, I mean, I guess it’s

00:32:42.000 –> 00:32:46.380
the way that you show you’re scared or show isn’t

00:32:46.380 –> 00:32:49.440
the right word. It’s audio. So it’d be like.

00:32:49.880 –> 00:32:52.950
Here. That they’re scared or project that they’re

00:32:52.950 –> 00:32:54.789
scared. I don’t know. But yeah, it’s like a good

00:32:54.789 –> 00:32:56.630
way to like show the emotion, right? Right, right,

00:32:56.630 –> 00:33:00.069
right. It’s yeah your sound design What’s what’s

00:33:00.069 –> 00:33:01.589
kind of interesting now that I think about it

00:33:01.589 –> 00:33:05.269
is there’s a 90s? Horror movie called mute witness

00:33:05.269 –> 00:33:08.630
and the lead is an actress She can’t scream,

00:33:08.789 –> 00:33:11.930
right? Right, but so it’s all on her face and

00:33:11.930 –> 00:33:14.289
how she acts Well, there’s a what was that one

00:33:14.289 –> 00:33:16.730
like don’t breathe which is more of a thriller,

00:33:16.910 –> 00:33:19.480
but like they’re being hunted in this house by

00:33:19.480 –> 00:33:21.440
a blind guy, I think. But they can’t make any

00:33:21.440 –> 00:33:23.720
sounds or else I’ll get them. Yeah. Yeah. Or

00:33:23.720 –> 00:33:28.480
the one about the aliens where you can’t make

00:33:28.480 –> 00:33:30.519
noise either. The quiet place. The quiet place

00:33:30.519 –> 00:33:33.579
ones. Oh, yeah. Well, I got a question for you

00:33:33.579 –> 00:33:37.299
guys. Like, do you think that Scream Queens are

00:33:37.299 –> 00:33:40.440
a legacy of the past and like we’re going to

00:33:40.440 –> 00:33:42.859
see less and less of them? Or do you think it’s,

00:33:42.859 –> 00:33:44.789
you know, because I kind of feel like. There

00:33:44.789 –> 00:33:47.349
are good horror films are kind of a good entry

00:33:47.349 –> 00:33:49.089
for a lot of actors these days But you don’t

00:33:49.089 –> 00:33:51.009
see a lot of people who spend their like whole

00:33:51.009 –> 00:33:54.089
career or like a big portion of it doing Just

00:33:54.089 –> 00:33:56.309
horror films anymore, but I mean we named a bunch,

00:33:56.630 –> 00:33:59.089
but I don’t know. What do you think? Well, I

00:33:59.089 –> 00:34:03.089
think I mean I’m not an actor or actress But

00:34:03.089 –> 00:34:07.549
I think actors Will tend to see like oh, they’ll

00:34:07.549 –> 00:34:10.369
put me in these movies I’ll do it. You know,

00:34:10.369 –> 00:34:12.309
I’ll create a brand. I’ll create a cult following

00:34:12.779 –> 00:34:14.519
That’s a good way to do it and you can usually

00:34:14.519 –> 00:34:17.119
check cash right and now you can branch out I

00:34:17.119 –> 00:34:19.559
feel like in the 80s you got kind of pigeon -held

00:34:19.559 –> 00:34:23.099
to do B movies whatever but now it’s you know

00:34:23.099 –> 00:34:26.719
these horror movies are very popular mm -hmm

00:34:26.719 –> 00:34:30.460
mm -hmm also horrors like You know probably hotter

00:34:30.460 –> 00:34:33.639
than it’s been in a long long time like it’s

00:34:33.639 –> 00:34:36.420
it’s a You know every week. There’s like two

00:34:36.420 –> 00:34:39.570
three horror films that come out Yeah, it’s it’s

00:34:39.570 –> 00:34:41.610
kind of interesting because I’ve always thought

00:34:41.610 –> 00:34:44.630
horror was popular It wasn’t you know, or maybe

00:34:44.630 –> 00:34:47.349
I can’t see the force from the trees type thing

00:34:47.349 –> 00:34:50.369
Well, but I mean like it’s in a way, you know

00:34:50.369 –> 00:34:53.329
with a 24 and neon all these things. I’ve got

00:34:53.329 –> 00:34:55.710
a really elevate You know this term but they’re

00:34:55.710 –> 00:34:57.789
elevating horror till like mainstream in a way

00:34:57.789 –> 00:34:59.909
that it and also like let’s be honest here the

00:34:59.909 –> 00:35:03.409
way that the world is right now like it’s a reflection

00:35:03.409 –> 00:35:05.550
I think of like what we’re struggling with but

00:35:05.550 –> 00:35:08.940
but also it’s You know, it’s a genre that people

00:35:08.940 –> 00:35:11.059
will still turn out to in movie theaters and

00:35:11.059 –> 00:35:12.619
like, you know at the end of the day they want

00:35:12.619 –> 00:35:15.079
to make money and people will Will go see him.

00:35:15.219 –> 00:35:17.420
Well, you also have Halloween where then it’s

00:35:17.420 –> 00:35:20.280
like that’s a whole revamps the whole thing,

00:35:20.360 –> 00:35:22.019
right? We’re like, oh, it’s spooky season. I’m

00:35:22.019 –> 00:35:24.900
gonna watch horror movies There’s that’s a thing

00:35:24.900 –> 00:35:29.000
I’m surprised maybe this exists, but I’m wondering

00:35:29.000 –> 00:35:32.320
if there is a campy queer movie called Scream

00:35:32.320 –> 00:35:35.389
Queens Yeah, but was I think there was a TV show

00:35:35.389 –> 00:35:38.650
also called scream Queens. I mean, it’s right

00:35:38.650 –> 00:35:41.210
there It’s like such low -hanging fruit like

00:35:41.210 –> 00:35:43.769
clearly you got to make this film like that Like

00:35:43.769 –> 00:35:45.449
I’m surprised a first person who thought of that

00:35:45.449 –> 00:35:48.369
didn’t go out and make that film Yeah, right.

00:35:48.389 –> 00:35:50.469
It’s just just like waiting there for the taking

00:35:51.219 –> 00:35:53.039
I do agree with you and you said as far as like

00:35:53.039 –> 00:35:55.239
these film are getting a little bit elevated

00:35:55.239 –> 00:35:56.679
and far as their horror because like yeah if

00:35:56.679 –> 00:35:58.579
you look at like the 80s and 90s it is fun and

00:35:58.579 –> 00:36:00.119
it’s cheesy but when you come out with something

00:36:00.119 –> 00:36:02.780
like a 24 with like the witch or even like the

00:36:02.780 –> 00:36:06.119
lighthouse like that you know you’ve it is like

00:36:06.119 –> 00:36:08.460
but it’s not only just like eerie but it’s shot

00:36:08.460 –> 00:36:10.320
beautifully like it’s also like you know very

00:36:10.320 –> 00:36:13.039
cinematic and it’s pretty in its own like way

00:36:13.039 –> 00:36:16.599
and I think that has like a different Pool to

00:36:16.599 –> 00:36:19.719
fans and maybe like say Evil Dead or Nightmare

00:36:19.719 –> 00:36:21.659
on Elm Street because it’s it’s more I don’t

00:36:21.659 –> 00:36:23.960
know I don’t say more like, you know bougie or

00:36:23.960 –> 00:36:26.119
like cinematic but it is in its own way with

00:36:26.119 –> 00:36:28.320
the way it’s coming out these days totally and

00:36:28.320 –> 00:36:30.320
you know, just maybe think it’s something that

00:36:30.320 –> 00:36:33.900
You know as a counterpoint to well like to answer

00:36:33.900 –> 00:36:36.099
my own question a minute from a minute ago I

00:36:36.099 –> 00:36:40.280
I think maybe there’s less You know and also

00:36:40.280 –> 00:36:42.860
based on what you said Peter there’s less stigma

00:36:43.099 –> 00:36:45.320
to being in horror films as an actress, like

00:36:45.320 –> 00:36:48.420
you’re not worried about it being pigeonholed

00:36:48.420 –> 00:36:52.860
as a B level actress because these films are

00:36:52.860 –> 00:36:55.460
now like A level material, you know what I mean?

00:36:55.639 –> 00:36:57.820
So it’s actually a good way to show your acting

00:36:57.820 –> 00:37:00.659
chops or do something interesting. And also,

00:37:01.019 –> 00:37:03.159
you know, a good way, like for women to have

00:37:03.159 –> 00:37:05.840
a starring role earlier in their careers where

00:37:05.840 –> 00:37:09.400
they’re not often offered that. Well, there’s

00:37:09.400 –> 00:37:12.980
also another. side of that. Even if you’re doing

00:37:12.980 –> 00:37:17.219
the more low budget stuff, a lot of horror actors

00:37:17.219 –> 00:37:21.179
have horror conventions they can go to and stream

00:37:21.179 –> 00:37:22.980
the income that way. Yeah, you know, that’s a

00:37:22.980 –> 00:37:24.420
good point. You know a bit about I mean, you

00:37:24.420 –> 00:37:27.400
probably both do. Why don’t you talk about how

00:37:27.400 –> 00:37:31.179
a lot of these scream queens from the 80s are

00:37:31.179 –> 00:37:34.320
getting by these days? Yeah, I mean, I think

00:37:34.320 –> 00:37:39.940
they do circuits of horror conventions and there’s

00:37:39.940 –> 00:37:42.599
a lot of them in Los Angeles. But how do they

00:37:42.599 –> 00:37:44.940
make their money from that? I mean, they will

00:37:44.940 –> 00:37:47.139
take selfies with you. They’ll sign autographs

00:37:47.139 –> 00:37:49.719
and you get to meet them. Yeah. And then you

00:37:49.719 –> 00:37:51.659
get them like five bucks, 10 bucks. And well,

00:37:51.800 –> 00:37:55.280
it’s a bit more expensive. Yeah. Even in the

00:37:55.280 –> 00:37:57.400
early 2000s, I think it was like kind of 20 bucks.

00:37:57.420 –> 00:38:01.340
But I remember one of the first ones I went,

00:38:01.900 –> 00:38:03.579
Linnea Quigley from Return of the Living Dead

00:38:03.579 –> 00:38:05.039
was there. So I was like, holy shit, I get to

00:38:05.039 –> 00:38:09.239
meet her. And this was before, you know, phones,

00:38:10.059 –> 00:38:13.500
smartphones took pictures. So I got a Polaroid

00:38:13.500 –> 00:38:16.699
and she wrote, Peter, you’re hot on it. And I

00:38:16.699 –> 00:38:20.599
was super stoked because it’s. Oh, yeah. So that

00:38:20.599 –> 00:38:23.920
was cool. And yeah, she was a very nice lady.

00:38:24.340 –> 00:38:27.400
Cool. Very cool. And and you’ve met Barbara Crampton

00:38:27.400 –> 00:38:30.579
before, haven’t you? I have. Also very nice lady.

00:38:31.300 –> 00:38:34.739
David DeWall and I went to. Party a composer

00:38:34.739 –> 00:38:37.460
named will baits his house and she was she was

00:38:37.460 –> 00:38:41.159
there and David knows her and introduced me and

00:38:41.159 –> 00:38:43.460
you know, we shot the shit for a while I think

00:38:43.460 –> 00:38:45.400
we were talking about last call or something

00:38:45.400 –> 00:38:47.239
and she’s like, oh you should consider this person

00:38:47.239 –> 00:38:50.800
or that and Barbara I mean, I don’t have the

00:38:50.800 –> 00:38:52.300
material in front of me, but she was the one

00:38:52.300 –> 00:38:55.519
who pushed against Scream Queens a while ago.

00:38:55.599 –> 00:38:59.840
Yeah. Why is that like why I know that It’s some

00:38:59.840 –> 00:39:02.679
people don’t like the term or being kind of categorized

00:39:02.679 –> 00:39:05.219
this way. You want to explain why that is I?

00:39:05.280 –> 00:39:08.739
Don’t remember exactly her reasoning, but I imagine

00:39:08.739 –> 00:39:12.760
it’s just kind of like It’s just a cheap label.

00:39:12.920 –> 00:39:15.239
Maybe is how they perceive it like I’m more than

00:39:15.239 –> 00:39:17.219
that I’m not just just because I scream in a

00:39:17.219 –> 00:39:20.559
horror movie like I’m an actress Fair point.

00:39:20.559 –> 00:39:23.099
I mean I get I could totally see why that would

00:39:23.099 –> 00:39:25.219
you know rub you the wrong way, but you know

00:39:25.219 –> 00:39:27.019
from the outside looking at I’m like I’m also

00:39:27.019 –> 00:39:31.329
like You know, that’s true. But also it’s like

00:39:31.329 –> 00:39:33.869
acknowledging the sort of iconic status. It’s

00:39:33.869 –> 00:39:38.269
legacy. Yeah. Yeah. But I imagine maybe it hits

00:39:38.269 –> 00:39:41.389
differently when you are from her era that versus

00:39:41.389 –> 00:39:44.869
now, because, you know, at the time, you know,

00:39:44.869 –> 00:39:47.989
I’m sure I don’t know this. I’m projecting what

00:39:47.989 –> 00:39:49.590
I think somebody might feel in that position.

00:39:49.650 –> 00:39:51.849
But like, you know, like you’ve been sort of

00:39:51.849 –> 00:39:54.969
like relegated to these sort of B level roles,

00:39:55.190 –> 00:39:58.030
quote unquote, or Rated R movies, you know that

00:39:58.030 –> 00:40:00.989
not a lot of people see but then But through

00:40:00.989 –> 00:40:03.369
today’s lens, it’s like there’s so many people

00:40:03.369 –> 00:40:06.150
who idolize you and like would like love to be

00:40:06.150 –> 00:40:08.429
in that situation So I wonder, you know, it’s

00:40:08.429 –> 00:40:10.829
just the fact that you came up in the 80s versus

00:40:10.829 –> 00:40:14.130
now like you have a different Experience of what

00:40:14.130 –> 00:40:17.820
that term means Yeah Could very well be true.

00:40:17.940 –> 00:40:19.559
That’s why we’ve kind of maybe elevated from

00:40:19.559 –> 00:40:21.699
that to like in modern times to the final goal,

00:40:21.820 –> 00:40:23.860
which is like a whole nother, you know, subject

00:40:23.860 –> 00:40:25.980
itself that we could go in on. But now it is

00:40:25.980 –> 00:40:27.780
just kind of the touch on that. Like, what is

00:40:27.780 –> 00:40:29.719
the final girl you want to. Um, essentially like,

00:40:29.800 –> 00:40:30.960
you know, the screen creams, like you mentioned

00:40:30.960 –> 00:40:32.480
before, like, you know, it’s usually like someone

00:40:32.480 –> 00:40:33.860
who’s screaming, they’re in terror, you know,

00:40:33.860 –> 00:40:35.019
they’re probably going to wind up, you know,

00:40:35.119 –> 00:40:36.920
dying. The final girl is the complete opposite.

00:40:36.980 –> 00:40:38.880
It’s someone who’s prepared, you know, very,

00:40:38.880 –> 00:40:40.900
uh, planned and calculated. And they wind up

00:40:40.900 –> 00:40:43.519
being the very last, you know, lady in the bunch

00:40:43.519 –> 00:40:45.900
that survived, like all the horrifics, uh, and

00:40:45.900 –> 00:40:47.940
kills outsmarts the bad guy, either kills or

00:40:47.940 –> 00:40:50.300
outsmarts. Yeah. Yeah. You know, very much like

00:40:50.300 –> 00:40:51.900
ready or not, you know, you’re talking about

00:40:51.900 –> 00:40:53.719
that earlier. And then you’ve got, uh, one of

00:40:53.719 –> 00:40:55.900
my favorites tales from the crypt, a demon night,

00:40:56.039 –> 00:40:57.800
Jada Pinkett Smith. You know, she’s like one

00:40:57.800 –> 00:40:59.460
of the old Ultimate Final Girls in that one.

00:40:59.960 –> 00:41:02.559
So maybe that’s just kind of what the progression

00:41:02.559 –> 00:41:06.139
was eventually when people started writing more

00:41:06.139 –> 00:41:08.400
progressive movies and just elevating them in

00:41:08.400 –> 00:41:11.579
general. Now you just have the girl at the end

00:41:11.579 –> 00:41:13.800
that just kicked all the ass and outsmarted everybody.

00:41:14.219 –> 00:41:15.820
Yeah, we’ll have to do an episode on Final Girls

00:41:15.820 –> 00:41:19.000
because there’s probably some really interesting

00:41:19.000 –> 00:41:21.940
things to say about that. And also it’s like

00:41:21.940 –> 00:41:24.949
the whole basis of Scream. Right. Yes. Well,

00:41:25.110 –> 00:41:27.269
now Scream, I would say the basis was kind of

00:41:27.269 –> 00:41:31.269
like, uh, parodying slasher movies. Well, yeah,

00:41:31.269 –> 00:41:33.829
but it’s like they lean, they lean into the idea

00:41:33.829 –> 00:41:36.130
of the final girl, like with they talk about

00:41:36.130 –> 00:41:38.750
that and the roles. Yeah. In the jokes and stuff.

00:41:38.869 –> 00:41:42.710
Well, that’s also an interesting thing because

00:41:42.710 –> 00:41:46.429
that I think was kind of a pattern that people

00:41:46.429 –> 00:41:49.269
picked up on. I don’t know how often a screenwriter

00:41:49.269 –> 00:41:51.670
would sit down and be like. This is gonna be

00:41:51.670 –> 00:41:53.650
the girl who’s gonna survive this they might

00:41:53.650 –> 00:41:56.510
just be like I need a babysitter Usually girls

00:41:56.510 –> 00:41:58.809
for babysitters. Is she gonna live or die? I

00:41:58.809 –> 00:42:01.550
don’t know third draft. Okay, she lives, you

00:42:01.550 –> 00:42:03.489
know, like there might not be as much thought

00:42:03.489 –> 00:42:06.389
now They’re probably I’m gonna push back on that

00:42:06.389 –> 00:42:09.230
I imagine the studios are in fun funders and

00:42:09.230 –> 00:42:11.429
stuff are like you can’t just kill everybody

00:42:11.429 –> 00:42:12.909
in it particularly in the 80s like they’re gonna

00:42:12.909 –> 00:42:15.989
be in earlier You all eyes have but you always

00:42:15.989 –> 00:42:20.260
have the hero survive, you know No, not the indie

00:42:20.260 –> 00:42:24.500
stuff and how I like Halloween was the one I

00:42:24.500 –> 00:42:27.380
was referencing Because that that’s and I don’t

00:42:27.380 –> 00:42:31.000
know what carpenter had in mind But I I would

00:42:31.000 –> 00:42:33.099
guarantee that he’s not like thinking I’m gonna

00:42:33.099 –> 00:42:35.559
create this trope or I’m gonna focus in on a

00:42:35.559 –> 00:42:39.059
trope No, I mean like I don’t know like you said

00:42:39.059 –> 00:42:40.920
I don’t know how much thought is put into the

00:42:40.920 –> 00:42:42.860
idea of like it there must be a final girl so

00:42:42.860 –> 00:42:45.019
much is just like there must be someone who survives

00:42:45.019 –> 00:42:47.820
and like You know, I think part of why women

00:42:48.349 –> 00:42:51.190
Maybe are the victims in horror movies could

00:42:51.190 –> 00:42:53.489
be that there’s like an extra layer of vulnerability

00:42:53.489 –> 00:42:56.610
because like from like a You know, particularly

00:42:56.610 –> 00:42:58.230
in the 80s and stuff like you’re looking at it

00:42:58.230 –> 00:43:01.230
from this like They’re not as quote -unquote

00:43:01.230 –> 00:43:03.550
strong as men, you know from like a muscle. So

00:43:03.550 –> 00:43:06.469
it’s like you’ve got to rely on something else

00:43:06.469 –> 00:43:08.650
Right to get out whereas like it would be a little

00:43:08.650 –> 00:43:11.210
less interesting if you’re like two tough guys

00:43:11.210 –> 00:43:12.849
It’s just like an action film. I guess at that

00:43:12.849 –> 00:43:15.989
point, you know, I mean like I don’t know right

00:43:16.139 –> 00:43:18.599
Yeah, it’s interesting. I mean if you look at

00:43:18.599 –> 00:43:21.619
the the texas chainsaw massacre that has a final

00:43:21.619 –> 00:43:24.500
girl as well But that just really feels like

00:43:24.500 –> 00:43:27.800
an experience of of just a nightmare these people

00:43:27.800 –> 00:43:32.199
are in and like she survives just barely Because

00:43:32.199 –> 00:43:34.360
and it’s because a trucker happens to drive by

00:43:34.360 –> 00:43:36.920
and you know, like she she is able to outrun

00:43:36.920 –> 00:43:39.659
them I guess Maybe she’s just a survival not

00:43:39.659 –> 00:43:41.940
really a final girl, right? Right, and it’s it

00:43:41.940 –> 00:43:44.019
kind of predates it. So that’s where I’m getting

00:43:44.019 –> 00:43:47.199
at before like now everything’s so self aware

00:43:47.199 –> 00:43:51.440
that people probably are like crossing check

00:43:51.440 –> 00:43:54.119
marks off there. Oh, yeah. Yeah, I’m sure you

00:43:54.119 –> 00:43:55.940
or playing what they’re like trying to subvert

00:43:55.940 –> 00:43:57.860
the trope, you know, like, oh, this is going

00:43:57.860 –> 00:43:59.639
to be a final girl. Oh, she died. And actually,

00:44:00.219 –> 00:44:03.019
you know, the dogs are or she died and the dog

00:44:03.019 –> 00:44:04.440
survived. I don’t know. You know what I mean?

00:44:04.480 –> 00:44:06.539
Like where you’re like, you think people are

00:44:06.539 –> 00:44:09.719
going to like anticipate something. So you intentionally.

00:44:10.340 –> 00:44:12.539
In fact, I think there is a movie called Final

00:44:12.539 –> 00:44:15.500
Girls. There is, I think. It’s uh, I want to

00:44:15.500 –> 00:44:16.980
see if it’s what i’m thinking of. Yeah, I think

00:44:16.980 –> 00:44:21.360
it’s in from the early 2000s No, well, there’s

00:44:21.360 –> 00:44:23.960
one from 2015, but that’s not what i’m thinking

00:44:23.960 –> 00:44:26.480
of. Um, Jesus I can’t think of the one that i’m

00:44:26.480 –> 00:44:29.539
it’s kind of like they go into the movie And

00:44:29.539 –> 00:44:32.219
maybe it’s called final girls not final girl.

00:44:32.320 –> 00:44:37.940
Let me see Uh, yeah, no there was a a 2015 movie

00:44:37.940 –> 00:44:40.079
called the final girls. It’s a horror comedy

00:44:40.079 –> 00:44:44.449
that uh the plot follows a group of high school

00:44:44.449 –> 00:44:47.349
students who were transported into a 1986 film

00:44:47.349 –> 00:44:49.869
called Camp Bloodbath. So it kind of plays to

00:44:49.869 –> 00:44:51.989
all that, you know. Yeah, leans into the tropes.

00:44:52.110 –> 00:44:55.469
Yeah. Yeah. You were saying something about the.

00:44:55.469 –> 00:44:57.250
Oh, yeah, I was just going to get back to Hellraiser.

00:44:57.369 –> 00:44:58.929
So like, oh, yeah, I guess she is like, again,

00:44:58.949 –> 00:45:00.789
just like outwitting him and doing like the puzzles

00:45:00.789 –> 00:45:03.230
and stuff to like be spattered in him. Right.

00:45:03.469 –> 00:45:04.989
You know, what was interesting about the Hellraiser

00:45:04.989 –> 00:45:09.389
one, the final girl in Hellraiser, she is actually

00:45:09.389 –> 00:45:12.829
not that. Present in the first half of the film.

00:45:13.039 –> 00:45:15.300
She kind of comes in at the end, you know, like

00:45:15.300 –> 00:45:17.280
she’s actually not involved with the haunting

00:45:17.280 –> 00:45:20.719
until she just like shows up like for the like

00:45:20.719 –> 00:45:23.699
climax, basically. But you’re right. She survives

00:45:23.699 –> 00:45:25.920
in the end, you know, and she is the one that’s

00:45:25.920 –> 00:45:30.739
like trying to be on this, you know, how was

00:45:30.739 –> 00:45:32.159
she like studying for med school or something?

00:45:32.199 –> 00:45:34.380
So she’s like, you know, I don’t I forget, but

00:45:34.380 –> 00:45:37.760
she’s like on the straight and narrow. Yeah.

00:45:39.039 –> 00:45:40.940
It’s I mean, it’s based on a book. It’s been

00:45:40.940 –> 00:45:43.320
forever since I’ve read it. And I don’t remember

00:45:43.320 –> 00:45:46.179
if she’s more present earlier, because obviously

00:45:46.179 –> 00:45:49.039
things change when you make the movie. Yeah,

00:45:49.039 –> 00:45:51.380
totally. Yeah. And I mean, to be fair, the way

00:45:51.380 –> 00:45:52.980
it’s written, there’s not like a lot for her

00:45:52.980 –> 00:45:54.900
to do in the first half of the movie. So like,

00:45:54.960 –> 00:45:58.039
you know, that checks out. But like, it seems

00:45:58.039 –> 00:46:00.519
like it just sets it up to keep going. Yeah.

00:46:00.679 –> 00:46:03.400
Yeah. I just feel like in the 80s, like, you

00:46:03.400 –> 00:46:06.179
know, now all the films, like not all of them,

00:46:06.179 –> 00:46:07.699
but a lot of films followed the Save the Cat

00:46:07.699 –> 00:46:11.070
kind of Structure, but a lot of times the 80s

00:46:11.070 –> 00:46:13.050
like horror films They didn’t really always do

00:46:13.050 –> 00:46:15.329
that, you know, cuz she’s the final girl, but

00:46:15.329 –> 00:46:17.610
she wasn’t really the main character, right?

00:46:17.610 –> 00:46:20.730
I mean it’s it just depends how the story shakes

00:46:20.730 –> 00:46:24.409
that Totally, but it really depends because now

00:46:24.409 –> 00:46:26.150
it’s like you’ve seen so many of these things

00:46:26.150 –> 00:46:31.849
that By osmosis people pick up these, you know

00:46:31.849 –> 00:46:34.530
What they’re watching and absorb it and then

00:46:34.530 –> 00:46:37.719
reproduce it whether they mean to or not So here’s

00:46:37.719 –> 00:46:40.579
a terrible movie idea. It’s like they should

00:46:40.579 –> 00:46:43.880
make a final girl movie where it’s all the final

00:46:43.880 –> 00:46:46.380
girls from all these famous horror franchises

00:46:46.380 –> 00:46:49.280
are pitted up against one each other. No, they’re

00:46:49.280 –> 00:46:54.800
like a battle royale. Kind of a genius. All right,

00:46:54.840 –> 00:46:58.300
Peter, write it. All right. Well, I feel like

00:46:58.300 –> 00:47:00.460
that’s a good spot to leave it. Thanks for chatting

00:47:00.460 –> 00:47:02.730
today, guys. Do you have plans for this week?

00:47:02.849 –> 00:47:04.349
Anything fun coming up or anything you’re going

00:47:04.349 –> 00:47:06.150
to watch or read or anything like that? Well,

00:47:06.170 –> 00:47:08.969
I forgot today that today is the day we’re supposed

00:47:08.969 –> 00:47:12.530
to be beware of as it’s March 15th. That’s right.

00:47:12.849 –> 00:47:17.750
The eyes of March. The eyes of March. So beware

00:47:17.750 –> 00:47:24.010
of some eyes. Apparently also the book that I’m

00:47:24.010 –> 00:47:26.150
reading, The Morbidly Curious, just coincidentally

00:47:26.150 –> 00:47:28.849
yesterday was talking about that. That’s like

00:47:28.849 –> 00:47:34.449
the. Oldest really recorded conspiracy The eyes

00:47:34.449 –> 00:47:37.510
of March yeah, yeah Caesar yeah, yeah, like I

00:47:37.510 –> 00:47:39.989
guess maybe well recorded it’s something with

00:47:39.989 –> 00:47:41.650
that effect So I thought that was kind of fascinating

00:47:41.650 –> 00:47:45.909
I’ve dropped the ball on scene redux redux Two

00:47:45.909 –> 00:47:49.630
weeks in a row now, so I I do hope to see undertone

00:47:49.630 –> 00:47:52.090
today Yeah, I’d love to check that out. I’m gonna.

00:47:52.090 –> 00:47:54.750
I’m gonna make an effort. I think It’s hard to

00:47:54.750 –> 00:47:56.170
get out of the house with a two -year -old, but

00:47:56.170 –> 00:47:59.809
yeah, I don’t hey bring him Yeah, in fact when

00:47:59.809 –> 00:48:02.829
this when by the way when this drops it’ll be

00:48:02.829 –> 00:48:06.469
my son Ozzy’s birthday in a couple of days So

00:48:06.469 –> 00:48:08.989
Ozzy happy birthday, man. You made it to two

00:48:08.989 –> 00:48:12.710
kept you alive this long the big oh, too. Yeah

00:48:12.710 –> 00:48:16.030
You you you might be the final boy. We don’t

00:48:16.030 –> 00:48:19.969
know Yeah, what about you Taffy are you gonna

00:48:19.969 –> 00:48:25.139
do anything you know, it’s a Yeah, it’s just

00:48:25.139 –> 00:48:26.639
another week, you know trying to survive and

00:48:26.639 –> 00:48:28.000
I think that’s just a horror in general that

00:48:28.000 –> 00:48:31.880
I live with and that’s fun This is incredibly

00:48:31.880 –> 00:48:34.019
cheesy and ridiculous, but you know to st. Patrick’s

00:48:34.019 –> 00:48:36.320
Day So I’ll probably watch the fugitive and maybe

00:48:36.320 –> 00:48:38.659
like a leprechaun movie, which is just terrible

00:48:38.659 –> 00:48:41.980
That’s coming up. Wait a second. Does the fugitive

00:48:41.980 –> 00:48:44.079
take place on st. Patrick’s Day? It’s during

00:48:44.079 –> 00:48:46.690
it. Yeah, cuz he has that Parade and he even

00:48:46.690 –> 00:48:48.630
remember he takes like the hat in the st Patrick’s

00:48:48.630 –> 00:48:50.150
day parade and he puts it on and he like kind

00:48:50.150 –> 00:48:51.929
of maneuvers do it did that happen in both the

00:48:51.929 –> 00:48:53.909
original and the harrison ford one i’ve only

00:48:53.909 –> 00:48:56.650
seen the harrison ford one me too i’m terrible

00:48:56.650 –> 00:49:00.789
i don’t know i feel like the movie god told me

00:49:00.789 –> 00:49:04.710
to kill is st patrick there’s a parade then too

00:49:04.710 –> 00:49:06.690
and andy coffin’s a cop and that very briefly

00:49:06.690 –> 00:49:09.500
nice I’m just going to go out on a limb here

00:49:09.500 –> 00:49:11.480
and say it. St. Patrick’s Day is one of the lamest

00:49:11.480 –> 00:49:14.980
of all holidays. Absolutely. Irish people. No,

00:49:15.079 –> 00:49:16.639
Irish people are fine. But like, that’s the thing

00:49:16.639 –> 00:49:18.659
is like it’s for Irish people and everybody.

00:49:19.059 –> 00:49:23.179
I’m Irish today. It’s you know, it’s it’s what

00:49:23.179 –> 00:49:25.500
we do best here in America. We like to pick and

00:49:25.500 –> 00:49:27.239
choose things and make them our own from other

00:49:27.239 –> 00:49:29.239
cultures and then kick them out and be terrible

00:49:29.239 –> 00:49:31.400
to them. But, you know, totally. I’m not even

00:49:31.400 –> 00:49:34.630
sure. Do people in Ireland? They probably support

00:49:34.630 –> 00:49:36.650
St. Patrick’s Day. I mean, St. Patrick’s Day

00:49:36.650 –> 00:49:38.949
is not what we’ve turned it into here in the

00:49:38.949 –> 00:49:41.429
U .S. We just turned it into a college drinking

00:49:41.429 –> 00:49:45.150
day. The lore was St. Patrick chased out all

00:49:45.150 –> 00:49:46.369
the snakes of Ireland. He drove out all the snakes,

00:49:46.369 –> 00:49:50.530
yeah. And so why aren’t snakes part of our St.

00:49:50.730 –> 00:49:52.610
Patrick’s Day celebration? Well, in that case,

00:49:52.710 –> 00:49:54.829
maybe I’ll watch the Simpsons episode, Whacking

00:49:54.829 –> 00:49:59.239
Day. That’s the only one. Or snakes on a plane.

00:49:59.519 –> 00:50:01.400
That comes close to it. Anaconda, there you go.

00:50:01.739 –> 00:50:04.099
Yeah, no, there should be a St. Patrick’s Day

00:50:04.099 –> 00:50:07.019
horror movie about snakes. Yeah. Oh, yeah. Genius.

00:50:07.420 –> 00:50:09.360
We haven’t seen that yet, and that hasn’t been

00:50:09.360 –> 00:50:12.239
exploited. Don’t put that in the episode so we

00:50:12.239 –> 00:50:14.760
can analyze it. You got two films you got to

00:50:14.760 –> 00:50:17.860
write, Peter. Two films from this episode. All

00:50:17.860 –> 00:50:20.000
right. Well, thanks for tuning in. Talk to you

00:50:20.000 –> 00:50:28.030
guys again. Bye. Bye -bye. Okay, that’ll bring

00:50:28.030 –> 00:50:29.909
us to the end of today’s episode of Nightmare

00:50:29.909 –> 00:50:32.250
Logic. We hope you liked our conversation about

00:50:32.250 –> 00:50:34.690
the Queens of Scream. For today’s show notes,

00:50:34.789 –> 00:50:37.989
you can go to our website at NightmareLogic .net.

00:50:38.230 –> 00:50:41.329
To follow us on Instagram, we’re at NightmareLogicPod.

00:50:41.550 –> 00:50:44.130
We want to give a big thank you to our composer,

00:50:44.349 –> 00:50:46.730
Lars Lang Peterson. We’re your hosts, Christopher

00:50:46.730 –> 00:50:49.289
Smith, Peter Sawyer, and Taffeta Darling. Until

00:50:49.289 –> 00:50:51.210
next time, watch out for that serial killer.